As still photographers we are often tasked with describing a kinesthetic flow as a sort of auto didactic mantra. The distillation of an expansive narrative into the perspex of a singular ocular and singular document is what gives credence to it’s existence. Conversely, the ability to render and metaphysically synchromesh what can be considered photographic elements in real time is another order of magnitude entirely, as evidenced by the great work of my friend Paul Korver here.
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